Logan Hicks is a New York-based stencil artist whose work explores the dynamics of the urban environment. Originally a screenprinter, Logan’s work has gained notoriety due to his ability to capture the sometimes mundane cycle of city life in a haunting, yet refined way with his hand-sprayed stencils.

Stenciling started as a substitution for screenprinting, but quickly morphed into Logan’s medium of choice. A perfect union was formed through stencils: the dirty and gritty nature of the spraypaint showcasing the decay of the city while the muted shine of metallic paint mirrored the faint glimmer of hope and life within it. It is this symbiotic relationship with the city that fuels his work.

With his photorealistic style, Logan draws a parallel between the cold, harsh city and a warm, vibrant organism. It is alive; a breathing creature where the ebb and flow of people washing over its sidewalks act as cells circulating through its veins. Buildings block passageways, walls block views, doors hide openings. The outside world is effectively shut out while the city creates its own reality. Confined spaces on subways, honeycomb living structures; it is a labyrinth of working systems limited only by its border, its ‘skin’.

Logan uses his art to explore the microcosm in which he is a cell, just part of a whole. The nuances of city life that epitomize the urban existence are what he dwells upon.

Beau Stanton’s work takes the form of paintings, murals, large scale installations, stained glass, and multimedia animations. Focusing on meticulous technique and craft, Stanton’s work is heavily informed by historic ornamentation, religious iconography, and classical painting. A keen interest in iconic visual symbols and Jungian archetypes often provides the foundation for his images.

Stanton is originally from California where he studied Illustration at Laguna College of Art and Design. He relocated to New York after graduating in 2008 where continues to live and work in Red Hook, Brooklyn constantly drawing inspiration from local nautical history. His work has recently been shown in a 12th Century crypt, on the Berlin Wall, a Fiat 500, and in galleries worldwide.