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Jeff Gillette
Costa Mesa, California
Jeff Gillette's paintings examine the aesthetic structures and visual patterns of human settlement, specifically that of shantytown style slums in India and South America. To the artist, there is something ineffable behind the obviously chaotic and desperate appearance of these places — a universality of human spirit and a strange beauty which comes out of the necessity and raw honesty of the will to survive.

Despite the seriousness of his observations, Gillette sees ironic and amusing juxtapositions that occur when Disney, corporate logos, and pop icons from consumer culture shows up as building blocks of shanty settlement construction. His works reflect these ironies as well as add a playful dimension to art historical relationships.
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Jeff Gillette
Dismaland Calais - Limited Edition Prints
$250
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Jeff Gillette
Mickey Shack - I
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This product is sold out with very little chance of returning in an archive sale.
Jeff Gillette
Mickey Shack - II
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This product is sold out with very little chance of returning in an archive sale.
Jeff Gillette
Mickey Shack - III
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SOLD OUT ITEM
This product is sold out with very little chance of returning in an archive sale.
Jeff Gillette
Mickey Shack - IV
SOLD OUT
SOLD OUT ITEM
This product is sold out with very little chance of returning in an archive sale.
Jeff Gillette
Mickey Shack - I
SOLD OUT
SOLD OUT ITEM
This product is sold out with very little chance of returning in an archive sale.
Jeff Gillette
Mickey Shack - II
SOLD OUT
SOLD OUT ITEM
This product is sold out with very little chance of returning in an archive sale.
Jeff Gillette
Mickey Shack - III
SOLD OUT
SOLD OUT ITEM
This product is sold out with very little chance of returning in an archive sale.
Jeff Gillette
Mickey Shack - IV
SOLD OUT
SOLD OUT ITEM
This product is sold out with very little chance of returning in an archive sale.
Artist Bio
Jeff Gillette's paintings examine the aesthetic structures and visual patterns of human settlement, specifically that of shantytown style slums in India and South America. To the artist, there is something ineffable behind the obviously chaotic and desperate appearance of these places — a universality of human spirit and a strange beauty which comes out of the necessity and raw honesty of the will to survive.

Despite the seriousness of his observations, Gillette sees ironic and amusing juxtapositions that occur when Disney, corporate logos, and pop icons from consumer culture shows up as building blocks of shanty settlement construction. His works reflect these ironies as well as add a playful dimension to art historical relationships.
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