Sign In
Sign Up
HOME
x

Mouse! Studios
Detroit, Michigan
Stanley Mouse was born in California on October 10, 1940. His father was an animator with Disney Studios who worked on Snow White. Stanley grew up in Detroit where Motown music and the city’s obsession with motor cars combined with his genius at drawing and made Stanleys life path clear at an early age. Quiet and always drawing in class, Stanley earned his pen name, Mouse in the seventh grade. He’d become known for his sketches of monster-driven muscle cars and as soon as he began signing with his pen name, he became instantly famous at thirteen.

Stanley found a niche in the Detroit hot rod culture by detailing extraordinary paint jobs on vehicles until no quality hot rod in town could be seen without a Mouse pin-striping job. Soon after, he began applying his favorite subjects to T-shirts with an airbrush. In the tenth grade, Stanley did some graffiti on the high school hang out and was expelled from high school, the silver lining being that he then enrolled in art school.

Stanley received his formal training at Detroit’s School for the Society of Arts and Crafts which was connected to the Detroit art museum. He dropped out to follow a higher calling to do rock posters in San Francisco during the sixties wartime era of social revolution, political passion and musical innovation. History was made when Stanley met Alton Kelley – they collaborated for over 15 years and changed the course of advertising art forever. Two of their most famous images, one featuring ZigZag cigarette rolling papers and another, the Grateful Dead skeleton and roses motif, became symbols of a generation. Kelley and Mouse were innovators of the most important art movement of the latter part of the twentieth century. They captured the passion and excitement of the times with their distinctive styles. In 1970 Stanley returned to Detroit and was given a one man show at the Detroit Institute of Art.

In the late sixties Stanley moved from San Francisco to London to flame Eric Claptons Rolls Royce. From there he did art for Blind Faith and the Beatles and returned to America to work on the signage at Woodstock with Kelley. Kelley and Mouse were working on a Jimi Hendrix cover but Jimi died before it was released. That art morphed into several covers for Journey, including Infinity, Escape and Captured.

Stanley designed with Art Nouveau elegance and American pop-art sensibilities. He produced posters for the Fillmore Auditorium and the Avalon Ballroom. The art promoting the San Francisco scene became instant collectibles and went far beyond the local scene to reach museums worldwide. Art and music came together in images associated with the The Family Dog, Grateful Dead, Jefferson Airplane, Janis Joplin, Big Brother and the Holding Company, Steve Miller. Then on to Jimi Hendrix, Journey, The Rolling Stones, The Beatles and Blind Faith. In all, Mouse and Kelley did the first eight album covers for the Grateful Dead, including the delightful Ice Cream Kid/Rainbow Foot cover of their Europe 72 live album. The cover art for Steve Millers album Book of Dreams won a Grammy Award in 1977.
Learn More
Add To Favorites
VIEW ALL WORKS BY Mouse! Studios
Mouse! Studios
The Beatles on Minibikes
SOLD OUT
SOLD OUT ITEM
This product is sold out with very little chance of returning in an archive sale.
Mouse! Studios
The Youngbloods, The Sparrow Songs of Champlin at Avalon Ballroom - December 1966
SOLD OUT
SOLD OUT ITEM
This product is sold out with very little chance of returning in an archive sale.
Mouse! Studios
Miller Blues Band, Mother Earth at Avalon Ballroom - September 1967
SOLD OUT
SOLD OUT ITEM
This product is sold out with very little chance of returning in an archive sale.
Mouse! Studios
Joan Baez, Grateful Dead
SOLD OUT
SOLD OUT ITEM
This product is sold out with very little chance of returning in an archive sale.
Mouse! Studios
Captain Beefheart and his Magic Band
ARCHIVED
ARCHIVED ITEM
This product is archived in our warehouse. It is not currently on sale, but could come back at any time.
Mouse! Studios
Frankenstein - Grateful Dead
SOLD OUT
SOLD OUT ITEM
This product is sold out with very little chance of returning in an archive sale.
Mouse! Studios
Keep California Green
SOLD OUT
SOLD OUT ITEM
This product is sold out with very little chance of returning in an archive sale.
Mouse! Studios
Bo Diddley
ARCHIVED
ARCHIVED ITEM
This product is archived in our warehouse. It is not currently on sale, but could come back at any time.
Mouse! Studios
Grateful Dead Dance Concert
ARCHIVED
ARCHIVED ITEM
This product is archived in our warehouse. It is not currently on sale, but could come back at any time.
Mouse! Studios
13th Floor Elevators, Sir Douglas Quintet
ARCHIVED
ARCHIVED ITEM
This product is archived in our warehouse. It is not currently on sale, but could come back at any time.
Mouse! Studios
Other Half, Sons of Champlin
ARCHIVED
ARCHIVED ITEM
This product is archived in our warehouse. It is not currently on sale, but could come back at any time.
Mouse! Studios
Joint Show Detroit - 1993
ARCHIVED
ARCHIVED ITEM
This product is archived in our warehouse. It is not currently on sale, but could come back at any time.
Mouse! Studios
2nd Annual Tribal Stomp at Avalon Ballroom - February 1967
ARCHIVED
ARCHIVED ITEM
This product is archived in our warehouse. It is not currently on sale, but could come back at any time.
Mouse! Studios
Lothar and the Hand People, Allmen Joy in Denver, Colorado - October 1967
ARCHIVED
ARCHIVED ITEM
This product is archived in our warehouse. It is not currently on sale, but could come back at any time.
Mouse! Studios
Soul Survivors, Box Tops at Jimmerfield Legend - December 1967
SOLD OUT
SOLD OUT ITEM
This product is sold out with very little chance of returning in an archive sale.
Mouse! Studios
Jim Kweskin Jug Band - Avalon Ballroom - 1966 - Third Printing
ARCHIVED
ARCHIVED ITEM
This product is archived in our warehouse. It is not currently on sale, but could come back at any time.
LOAD MORE WORKS
Artist Bio
Stanley Mouse was born in California on October 10, 1940. His father was an animator with Disney Studios who worked on Snow White. Stanley grew up in Detroit where Motown music and the city’s obsession with motor cars combined with his genius at drawing and made Stanleys life path clear at an early age. Quiet and always drawing in class, Stanley earned his pen name, Mouse in the seventh grade. He’d become known for his sketches of monster-driven muscle cars and as soon as he began signing with his pen name, he became instantly famous at thirteen.

Stanley found a niche in the Detroit hot rod culture by detailing extraordinary paint jobs on vehicles until no quality hot rod in town could be seen without a Mouse pin-striping job. Soon after, he began applying his favorite subjects to T-shirts with an airbrush. In the tenth grade, Stanley did some graffiti on the high school hang out and was expelled from high school, the silver lining being that he then enrolled in art school.

Stanley received his formal training at Detroit’s School for the Society of Arts and Crafts which was connected to the Detroit art museum. He dropped out to follow a higher calling to do rock posters in San Francisco during the sixties wartime era of social revolution, political passion and musical innovation. History was made when Stanley met Alton Kelley – they collaborated for over 15 years and changed the course of advertising art forever. Two of their most famous images, one featuring ZigZag cigarette rolling papers and another, the Grateful Dead skeleton and roses motif, became symbols of a generation. Kelley and Mouse were innovators of the most important art movement of the latter part of the twentieth century. They captured the passion and excitement of the times with their distinctive styles. In 1970 Stanley returned to Detroit and was given a one man show at the Detroit Institute of Art.

In the late sixties Stanley moved from San Francisco to London to flame Eric Claptons Rolls Royce. From there he did art for Blind Faith and the Beatles and returned to America to work on the signage at Woodstock with Kelley. Kelley and Mouse were working on a Jimi Hendrix cover but Jimi died before it was released. That art morphed into several covers for Journey, including Infinity, Escape and Captured.

Stanley designed with Art Nouveau elegance and American pop-art sensibilities. He produced posters for the Fillmore Auditorium and the Avalon Ballroom. The art promoting the San Francisco scene became instant collectibles and went far beyond the local scene to reach museums worldwide. Art and music came together in images associated with the The Family Dog, Grateful Dead, Jefferson Airplane, Janis Joplin, Big Brother and the Holding Company, Steve Miller. Then on to Jimi Hendrix, Journey, The Rolling Stones, The Beatles and Blind Faith. In all, Mouse and Kelley did the first eight album covers for the Grateful Dead, including the delightful Ice Cream Kid/Rainbow Foot cover of their Europe 72 live album. The cover art for Steve Millers album Book of Dreams won a Grammy Award in 1977.
Your Cart
Continue Shopping >>
CONGRATULATIONS
You made it through the waitlist!
You have to accept your reservation below.
Accept
Remove Item
THIS ITEM IS SOLD OUT
Better luck next time!
This item has been removed from your cart.
CLOSE