x
HIDE BIO
Olaf Hajek
Berlin, Germany
<object id="null" width="345" height="195" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000"> <embed src="http://www.gestalten.com/sites/all/modules/custom-modules/motion/player/player-embed.swf" type="application/x-shockwave-flash" width="345" height="195" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" flashvars="config={"playlist":["http://www.gestalten.com/sites/default/files/motion/images/gestalten.tv_podhajekhires640x360.jpg",{"url":"http://www.gestalten.tv/podcast/Gestalten.tv_Olaf_Hajek.m4v","autoPlay":false,"scaling":"orig","accelerated":true}]}" bgcolor="#000000" quality="true"> </embed> </object>

Olaf Hajek was born in North Germany and now resides in his homeland, London and New York. Olaf is one of the world’s most successful illustrators. His colorful work is infused with a folkloristic naivety and freshness and can be seen in publications such as The New York Times, Time, Flaunt, Forbes,  The Mens Journal , Fortune, GQ, LA Times, The New Yorker, Paste, Playboy, Rolling Stone & the Wall street Journal. His illustrations have been featured in advertisements for companies such as Bacardi, Daimler Chrysler, Nike & Royal Mail. Despite the diversity of his clientele, Olaf makes no aesthetic compromises. His characteristic style of “magic realism” is what makes his work appealing to a broad audience and range of clients.

Olaf focuses enthusiastically on wonder, heroic acts, hallucinations, and fairytale motifs. With artistic virtuosity and intellectual calculation he relocates and recombines various captions of reality, planting them within new and exciting mystical connotative frameworks. Disproportional figures are often depicted posed in front of theatrical fore- and backgrounds.

Olaf decomposes the borders between authenticity and thought, South American folklore, mythology, religion, history, and geography. More than anything else his work explores the opposition between imagination and reality in the context of western cultures.

Olaf’s images are generally created by applying acrylic to cardboard, and resemble Cuban advertising posters from the 1960’s on account of the technique with which he creates artificial patina. They retain valuable graphic feel despite their painted appearance.
<object id="null" width="345" height="195" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000"> <embed src="http://www.gestalten.com/sites/all/modules/custom-modules/motion/player/player-embed.swf" type="application/x-shockwave-flash" width="345" height="195" allowfullscreen="true" allowscriptaccess="always" cachebusting="true" flashvars="config={"playlist":["http://www.gestalten.com/sites/default/files/motion/images/gestalten.tv_podhajekhires640x360.jpg",{"url":"http://www.gestalten.tv/podcast/Gestalten.tv_Olaf_Hajek.m4v","autoPlay":false,"scaling":"orig","accelerated":true}]}" bgcolor="#000000" quality="true"> </embed> </object>

Olaf Hajek was born in North Germany and now resides in his homeland, London and New York. Olaf is one of the world’s most successful illustrators. His colorful work is infused with a folkloristic naivety and freshness and can be seen in publications such as The New York Times, Time, Flaunt, Forbes,  The Mens Journal , Fortune, GQ, LA Times, The New Yorker, Paste, Playboy, Rolling Stone & the Wall street Journal. His illustrations have been featured in advertisements for companies such as Bacardi, Daimler Chrysler, Nike & Royal Mail. Despite the diversity of his clientele, Olaf makes no aesthetic compromises. His characteristic style of “magic realism” is what makes his work appealing to a broad audience and range of clients.

Olaf focuses enthusiastically on wonder, heroic acts, hallucinations, and fairytale motifs. With artistic virtuosity and intellectual calculation he relocates and recombines various captions of reality, planting them within new and exciting mystical connotative frameworks. Disproportional figures are often depicted posed in front of theatrical fore- and backgrounds.

Olaf decomposes the borders between authenticity and thought, South American folklore, mythology, religion, history, and geography. More than anything else his work explores the opposition between imagination and reality in the context of western cultures.

Olaf’s images are generally created by applying acrylic to cardboard, and resemble Cuban advertising posters from the 1960’s on account of the technique with which he creates artificial patina. They retain valuable graphic feel despite their painted appearance.
YOUR SHOPPING CART
KEEP SHOPPING
LOADING CART...
YOUR CART IS EMPTY
KEEP SHOPPING
SUBTOTAL