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Tilt
Toulouse, France
Tilt loves demonstrating that basic, primitive graffiti can be as strong as complicated 3D lettering, wildstyles and characters. His focus on fun, high impact shapes and strong colours is a reflection of his history as a true graffiti writer, trained on the streets and in the train yards. Similarly, his extensive use of bubbly, curvaceous forms relates to his obsession with beautiful females. Following classic hip-hop graffiti ideology, his individual styled name is the focal point in the majority of his paintings, in Tilt’s case a bubble letter “throw-up”. “Throw-Up” is graf terminology for a writer’s spraypainted name incorporating fast lines and done in one or two colours, designed for fast execution; it is the action which Tilt is most interested in, thus he utilizes his throw-up styles to visually communicate the fun of creating graffiti in risky situations.
Tilt loves demonstrating that basic, primitive graffiti can be as strong as complicated 3D lettering, wildstyles and characters. His focus on fun, high impact shapes and strong colours is a reflection of his history as a true graffiti writer, trained on the streets and in the train yards. Similarly, his extensive use of bubbly, curvaceous forms relates to his obsession with beautiful females. Following classic hip-hop graffiti ideology, his individual styled name is the focal point in the majority of his paintings, in Tilt’s case a bubble letter “throw-up”. “Throw-Up” is graf terminology for a writer’s spraypainted name incorporating fast lines and done in one or two colours, designed for fast execution; it is the action which Tilt is most interested in, thus he utilizes his throw-up styles to visually communicate the fun of creating graffiti in risky situations.
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