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Run #00772c

- Untitled 3 -

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Edition Size 50
SOLD OUT
TYPE:Archival Pigment Print on 310gsm Fine Art Paper
SIZE:8.3 x 11.7 inches
RELEASE DATE:   May 06 2014
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About this Art

The framing option for this RUN includes a .75 Inch Black Wood Frame with UV-Glass, foam core backing and ready to hang hardware.


Curated by San Francisco-based artist Poesia, “A Major Minority” is a survey of Othercontemporary Urban Artists from over 18 countries consisting of over a 100 artists. Expect to see an international sampling of art works that reveal the overall character of Urban Art and its relationship to the public as well as the contemporary art world.

This selection of more than 20 prints from A Major Minority includes work from 1xRUN veterans as Defer, Estria, Askew and Poesia, as well as first timers Bom.k, Drew Young, Moneyless, Morik, Pener, Sepe, Vesod, Xuan Alyfe, Vincent Abadie Hafez-Zepha, SatOne, Bezt, Basik, See One and COL. Each print is limited to just 50 and is A4 size for easy framing.

This RUN is numbered and chopmarked by Major Minority & 1xRUN.

Moneyless
Italy
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Born in Milan - class 1980 - and raised in Tuscany, Moneyless' art is characterized by an investigation on the rawest elements of life and takes for granted a process of continuous evolution. He certainly owes his graphical mark to the street, where he was born as an artist and where he grounded his roots in the '90s graffiti/writing scene. “I wanted to undress the letters from the alphabetical presence” he says – then Teo started focusing on the pureness of the shape, the pregnancy of geometry in the fundamentals of life, gradually taking distance from walls and lettering - “My efforts then dropped the symbolic meaning of the letter”.

His artistic research, relieved by the weight of a fixed form, made his style move towards a pure geometry onthology. Moneyless' aesthetic seems to quote a Platonic vision where geometry is represented as the structure, the foundation upon which all nature is built. Fire, air, water and earth are the basic elements of existence and they come out from the multiplication of the main geometrical figure, the triangle: we'd better say division rather than multiplication, because it's through subtraction that Moneyless looks into evolution. Nature thus becomes functional to the work of art: Moneyless' essential forms are processed one after the other, and still entrenched within a structural complexity, they mean simplicity and neatness. In this picture, the artist still desires to achieve an intimate relationship with the spectator, and is asking him to challenge the environment, forcing him to face this duty and finding the spot that frames the artwork. Consider a forest. Wooden textures on the background now get a role in the picture, as sky and clouds and all the leaves and branches included in the picture. Again, these installations stand for the principle of creation.

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