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Run #00265aa

Because Art Should Kill Skulls

By: Bask

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Edition Size 50
SOLD OUT
TYPE:Aerosol on Wood
SIZE:10 x 18 Hand Painted Multiples
RELEASE DATE:   Jun 29 2012
IN THIS COLLECTION
One Night Stand Detroit
47 Artworks
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About this Art

The last few just slipped out with a glitch, all of the giveaways are gone, thank you to BASK and everyone that stopped by today. It's way cool to give away free art!



On Saturday June 30th, 323East Gallery will host BASK's One Night Stand in Metro Detroit. To celebrate, on June 29th at 12 pm EST BASK has yet again made 50 original hand painted multiples that will be given away for FREE. That's right, FREE!

You read correctly, Friday June 29th at 12pm EST - BASK , 1xRUN and 323East Gallery will be giving away 40 original hand painted multiples! All you will pay is for shipping! At Noon EST we will drop the first batch at a random quantity and throughout the day we'll be dropping random quantities at random times. Follow us on Twitter or FB and sign up for the 1xRUN newsletter for Alerts to stay informed!

"Each 10"x 18" painting will be mailed unwrapped, directly from me. The wear of travel during transit, will be an intentional effect on each one of a kind piece." - BASK

This will also mark the debut of 1xRUN's very first hybrid exhibition opening where buyers can experience the art in person as well as from the comfort of their own home.
Bask
Florida, USA
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Bask is the moniker of one, Ales Bask Hostomsky, who along with his parents emigrated from Czechoslovakia to Florida and began to soak up America’s popular iconic imagery along with the sun.

Bask quickly began to notice similarities between the communistic iconic propaganda from his youth and the consumer advertising of his teens. He soon discovered that they were simply, two sides of the same coin. Each vying for our short-lived attention spans, all the while selling us (or telling us?) anything and everything from Marxism to McDonalds. Seeking conspiracies -and finding them embedded in the popular iconography of the mass media, Bask began painting bold, media critical broadsides to assuage his fear of being manipulated. A fear cultivated in a repressive regime, had now returned, but to the most unlikely and safest of places- The American living room.

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