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Scortch 1

Quantity Available 1
TYPE:Hand-Deckled Giclee Print on Italian Cold-Press Watercolor Paper
SIZE:24 x 18 Inches
RELEASE DATE:   Apr 22 2014
RUN # 00776AC
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About The Work
About The Artist

This print is from the edition of 350.

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Support The Pangea Seed / 1xRUN Indie Go Go Campaign

100% of the proceeds from this release will go towards the Sea Walls Campaign.

Pangea Seed and 1xRUN are embarking on the biggest Sea Walls project yet. We’ve invited some of today’s biggest names in contemporary street art including Tatiana Suarez, Curiot, Hannah Stouffer, Meggs, Cinzah Seekayem, Tristan Eaton, Celeste Byers, NoseGo, Spencer Keeton Cunningham, Vexta, Aaron Glasson, Shark Toof and Saner to join us on our first-ever Sea Walls expedition.

The mission of the expedition is to offer these artists the opportunity to swim with and study endangered whale sharks and oceanic manta rays off the coast of the island of Isla Mujeres, Mexico from July 20-28, 2014. Inspired by their interactions with these majestic giants in the wild and in partnership with the local government the artists will create a series of large-scale public murals on the island to help educate and raise greatly needed awareness within the local and tourist communities for the plight of these animals and the oceans.

This print is signed and numbered by the artist.

Born in 1969 in Tacoma Washington. Josh Keyes received his BFA in 1992 from the School of the Art Institute of Chicago and an MFA in 1998 from Yale University School of Art. He has exhibited his work nationally and internationally and has work in private and public collections. Keyes currently lives and works in Portland Oregon with his wife and artist Lisa Ericson.

"The animals emerge from the pages of my sketchbook sometimes as singular studies occupying a diagrammatic space, while others wander through dystopian landscapes like specimens or dioramas from a mysterious museum of natural history. I build each painting like a collage, with multiple references. Sometimes I use modeling clay to sculpt a maquette of an animal head or other object to help see how light or shadows fall over a form. The imagery that fascinates me is associated with mythology and folklore, specifically the legends and stories that seem to take place in the space between dreams and nightmares. For me this area contains the strongest psychological relationship to our present ecological situation and gives voice to the underlying existential anxiety and uncertainty many people have about the future." - Josh Keyes
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