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BASK Board-slide - S - Hand-Painted Multiple

Run #02119d
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TYPE:Mixed Media
SIZE:8 Inch Cold Pressed Steep Natural Skate Deck
This RUN comes signed, numbered and with a Certificate of Authenticity from Bask and 1xRUN.
Hand-Painted Multiple 1
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This product is archived in our warehouse. It is not currently on sale, but could come back.
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About The Work
About The Artist

The framing option for this RUN includes a floating mount and ready to hang hardware.

ABOUT THE ARTIST:
Bask is the moniker of one, Ales Bask Hostomsky, who along with his parents emigrated from Czechoslovakia to Florida and began to soak up America’s popular iconic imagery along with the sun.

Bask quickly began to notice similarities between the communistic iconic propaganda from his youth and the consumer advertising of his teens. He soon discovered that they were simply, two sides of the same coin. Each vying for our short-lived attention spans, all the while selling us (or telling us?) anything and everything from Marxism to McDonalds. Seeking conspiracies -and finding them embedded in the popular iconography of the mass media, Bask began painting bold, media critical broadsides to assuage his fear of being manipulated. A fear cultivated in a repressive regime, had now returned, but to the most unlikely and safest of places- The American living room.



Find more by Bask at baskinyourthoughtcrimes.com

Follow Bask on Instagram @ knownasbask.
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Bask is the moniker of one, Ales Bask Hostomsky, who along with his parents emigrated from Czechoslovakia to Florida and began to soak up America’s popular iconic imagery along with the sun.

Bask quickly began to notice similarities between the communistic iconic propaganda from his youth and the consumer advertising of his teens. He soon discovered that they were simply, two sides of the same coin. Each vying for our short-lived attention spans, all the while selling us (or telling us?) anything and everything from Marxism to McDonalds. Seeking conspiracies -and finding them embedded in the popular iconography of the mass media, Bask began painting bold, media critical broadsides to assuage his fear of being manipulated. A fear cultivated in a repressive regime, had now returned, but to the most unlikely and safest of places- The American living room.

CONTINUE READING
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