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When It Rains It Pours - Skate Day Variant
Run #02118
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TYPE:Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck
SIZE:8 x 32.25 Inches
This RUN comes signed, numbered on an eggshell sticker and with a Certificate of Authenticity from Bask and 1xRUN.
Edition Size 100
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About The Work
About The Artist

This RUN is printed by Point Distribution in Las Vegas, NV. 


ABOUT THE ARTIST:
Bask is the moniker of one, Ales Bask Hostomsky, who along with his parents emigrated from Czechoslovakia to Florida and began to soak up America’s popular iconic imagery along with the sun.

Bask quickly began to notice similarities between the communistic iconic propaganda from his youth and the consumer advertising of his teens. He soon discovered that they were simply, two sides of the same coin. Each vying for our short-lived attention spans, all the while selling us (or telling us?) anything and everything from Marxism to McDonalds. Seeking conspiracies -and finding them embedded in the popular iconography of the mass media, Bask began painting bold, media critical broadsides to assuage his fear of being manipulated. A fear cultivated in a repressive regime, had now returned, but to the most unlikely and safest of places- The American living room.



Find more by Bask at baskinyourthoughtcrimes.com

Follow Bask on Instagram @ knownasbask.
CONTINUE READING
Bask is the moniker of one, Ales Bask Hostomsky, who along with his parents emigrated from Czechoslovakia to Florida and began to soak up America’s popular iconic imagery along with the sun.

Bask quickly began to notice similarities between the communistic iconic propaganda from his youth and the consumer advertising of his teens. He soon discovered that they were simply, two sides of the same coin. Each vying for our short-lived attention spans, all the while selling us (or telling us?) anything and everything from Marxism to McDonalds. Seeking conspiracies -and finding them embedded in the popular iconography of the mass media, Bask began painting bold, media critical broadsides to assuage his fear of being manipulated. A fear cultivated in a repressive regime, had now returned, but to the most unlikely and safest of places- The American living room.

CONTINUE READING
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