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Inner State Gallery and Heron Arts are proud to announce The Detroiter a unique collaborative group show opening July 30th, 2016 in San Francisco. Featuring a vast selection of artists with ties to Detroit, the exhibition includes artists currently living and working in Detroit, expatriate Detroit artists from around the globe, as well as select artists from the Bay Area who take inspiration from Detroit’s unique visual landscape. On top of over 50 visual artists, the exhibition will include a showcase from Ghostly International curated by Detroit's trendsetting Movement Electronic Music Festival, bringing the Detroit sound to San Francisco with live performances from Matthew Dear, Shigeto and Lusine.
This expansive group exhibition will feature original artwork from:
Andrew Krieger - April Segedi - Ben Saginaw - Brett Amory - Camilo Pardo - Clinton Snider - Dabls - Dan Armand - Derek Weisberg - Dessislava Terzieva - Ellen Rutt - Fel3000ft - Glenn Barr - Graem Whyte - Jeremy Harvey - Jerry Vile Jesse Kassel - John Dunivant - Jonny Alexander - Julian Spradlin - Lauren Harrington - Lucien Shapiro - Mark Arminski - Mark Sarmel - Matt Eaton - Matt Gordon - Michelle Tanguay - Nick Jaskey - NNII - Ouizi - Pat Perry - Patrick Ethan - Paul Johnson - Paula Schubatis - Paula Zammit Peter Adamyan - Rashaun Rucker - Ron Zakrin - Ryan Doyle - Scott Hocking Shaun Roberts - Stephanie Buer - Sydney James - Tiff Massey - Tom Thewes - Tylonn Sawyer - Vaughn Taormina and Eugene Watson
ABOUT Camilo Pardo:
The art that Camilo Pardo has created over the years is all over Detroit. A considerable amount of it is present on our freeways at any given moment of the day. Most recognized for his design work on the Ford GT, Camilo put verve in the steel curves and reminded us that a car's first internal combustion takes place in an artist's mind. The car's external beauty is born there as well. That mind has not ceased from creative labors, even if they're no longer entirely devoted to Motor City mojo.
Camilo's paintings and drawings speak to both his love for linear perfection and his fascination for the manner in which those lines deliver aesthetic satisfaction to the viewer. His works genuinely seem to move and they are energized by what is obviously a rich understanding and respect for popular culture and traditional disciplines. In less talented hands, such a seeming contradiction of forces would negate the best efforts. Camilo makes them reconcile, complement each other and dance together.
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