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Run #02331set

3-Print Set - The Advocate - Silver + Gold + Rainbow Edition

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3-Print Set
SOLD OUT
TYPE:(1) Silver, (1) Gold, (1) Rainbow Split Fountain + Black Screen Print on 290gsm Stonehenge Fine Art Paper
SIZE:20 x 20 Inches
RELEASE DATE:   Apr 05 2019
This RUN is signed, numbered and comes with a Certificate of Authenticity from Charles Peterson and 1xRUN.
IN THIS COLLECTION
Kurt Cobain. The Advocate. The Inn At The Market. Seattle, WA. 1/1/1993
4 Artworks
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About this Art
Note: This 3-Print set pulls from each respective edition of 27. 

"The shoot was New Year's Day 1993, and it didn't happen until about 11 o'clock in the evening. It was for The Advocate, the LGBT monthly magazine. It was for the glossy cover and an inside piece. He'd done this, at the time, controversial interview saying that, yeah, he thought, "Oh, I could be gay, too."

I can't recall why, but I think maybe we were supposed to do it earlier and then it got pushed, but the magazines all do stuff two or three months out. Neither of us were prepared to do this photo shoot, let's put it that way. And, actually, this was kinda right before the huge entourage came..." - Charles Peterson

Read our full interview with Charles Peterson at News.1xRUN.com...
Charles Peterson
Seattle, Washington
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Charles Peterson is an American photographer well known for his work with the Seattle independent record label Sub Pop and for capturing the then-newly emerging grunge scene in images. His photos are presented in the movie "Kurt Cobain: About a Son."

Peterson is known for depicting the rise of the Pacific Northwest underground music scene in the late 1980s to early 1990s. Visually, he is known for his trademark full-frame, non-cropped images. Reviews about his work include the following, "Peterson is known for his action-packed, sometimes partially blurred black-and-white shots taken with a wide-angle lens.

Peterson said, "The Seattle audiences were entertaining. I didn't want to just get a head shot of the lead singer. I wanted to get the experience, make you actually feel like you're there. ... I like the composition part of shooting. The way my eyes and brain work together -- I'm constantly composing with or without a camera."
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