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Valley of Bones

RUN #:01568o
Type:Cast Resin, Carpet Fiber, Paint, Plant Material
Size:9 x 10 x 7 Inches
Release:July 29, 2016
Run of:1
Auth:This RUN comes signed by Clinton Snider and includes an Original Artwork Letter of Provenance from Inner State Gallery.
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The Detroiter
108 Artworks0 Available
ABOUT THIS ART:
Inner State Gallery and Heron Arts are proud to announce The Detroiter a unique collaborative group show opening July 30th, 2016 in San Francisco. Featuring a vast selection of artists with ties to Detroit, the exhibition includes artists currently living and working in Detroit, expatriate Detroit artists from around the globe, as well as select artists from the Bay Area who take inspiration from Detroit’s unique visual landscape. On top of over 50 visual artists, the exhibition will include a showcase from Ghostly International curated by Detroit's trendsetting Movement Electronic Music Festival, bringing the Detroit sound to San Francisco with live performances from Matthew Dear, Shigeto and Lusine.

This expansive group exhibition will feature original artwork from:
Andrew Krieger - April Segedi - Ben Saginaw - Brett Amory - Camilo Pardo - Clinton Snider - Dabls - Dan Armand - Derek Weisberg - Dessislava Terzieva - Ellen Rutt - Fel3000ft - Glenn Barr - Graem Whyte - Jeremy Harvey - Jerry Vile Jesse Kassel - John Dunivant - Jonny Alexander - Julian Spradlin -
Lauren Harrington - Lucien Shapiro - Mark Arminski - Mark Sarmel -
Matt Eaton - Matt Gordon - Michelle Tanguay - Nick Jaskey - NNII - Ouizi - Pat Perry - Patrick Ethan - Paul Johnson - Paula Schubatis - Paula Zammit Peter Adamyan - Rashaun Rucker - Ron Zakrin - Ryan Doyle - Scott Hocking Shaun Roberts - Stephanie Buer - Sydney James - Tiff Massey - Tom Thewes -
Tylonn Sawyer - Vaughn Taormina and Eugene Watson
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ABOUT Clinton Snider:
Snider’s imagery is of the vacant shells of once vital and populated homes and factories now overgrown with weeds and full of broken and boarded up windows. Yet despite the state of decay, Snider infuses the work with a strong sense of hope. His use of color is lively and varied, bright but not overwhelming, creating a vitality for what in reality must be grayer scenery. The color provides a touch of sentiment a memory of a brighter past as well as forward thinking the promise of a better tomorrow. Whether a tree or a ubiquitous utility pole, each piece has a prominent vertical form, like a blossom reaching sunward in spring. Snider recognizes rightly that decay and growth are inseparable aspects of the cycle of life.

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