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This RUN is currently open.
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Run #01944
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TYPE:Archival Pigment Print on 290gsm Moab Rag Natural Fine Art Paper
SIZE:14 x 21 Inches
This RUN comes signed, numbered and with a Certificate of Authenticity from Daim and 1xRUN.
Edition Size 50
1 Available
$175.00
Framing: NONE
Print Only
Framed
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About The Work
About The Artist

The framing option for this RUN includes a 1 inch black wood frame with UV-glass, foam core backing and ready to hang hardware.

"My writer name 'Daim' is a formative characteristic of this newer works as well, though the letters can now not be equated with the work as easily as before. The play with the construction and the deconstruction of the letters, their abstraction and their figuration, the forms and the colors now seem to be even more on point, the readable reproduction of the letters is made even more complicated. But the beholder that engages himself with the works will not only be able to literally read them but also discover more spheres in the artworks, like the game with the dimensions which also refers to the title of the exhibition, since non-linearity in mathematics describes two and more dimensionality." - Daim


ABOUT THE ARTIST:
  Daim concentrates on four letters to push personal and visual boundaries in his highly stylized three dimensional writing. Daim’s programme comprises the construction, as well as de-construction of a word (at some point, in between the processes of annealing and erasure, it emerges out of a synaesthetic sphere and reveals that it came into being out of nothingness and is always on the verge of disappearing into it again. Daim's graffitis can be seen as fixed images of a word-formation that is constantly threatening to reassemble, denying access, escaping the demands of tangibility and, thereby, remain free and sovereign.

Find more by Daim at daim.org.

Follow Daim on Instagram @mirkoreisser , Twitter @DAIMorg and Facebook.
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Daim concentrates on four letters to push personal and visual boundaries in his highly stylized three dimensional writing. Daim’s programme comprises the construction, as well as de-construction of a word (at some point, in between the processes of annealing and erasure, it emerges out of a synaesthetic sphere and reveals that it came into being out of nothingness and is always on the verge of disappearing into it again. Daim's graffitis can be seen as fixed images of a word-formation that is constantly threatening to reassemble, denying access, escaping the demands of tangibility and, thereby, remain free and sovereign.

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