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Finger-Crab Helps Gillman Try On Mustaches For His Big Date
By David Chung  RUN # 00005
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Finger-Crab Helps Gillman Try On Mustaches For His Big Date
By David Chung
RUN #00005
RUN INFORMATION
SHIPPING INFO
Max Edition Size: 40
SIZE14 x 16
TYPEGiclee on 330gsm 100% Archival Cotton Paper
EST SHIPPING4-6 weeks
AVAILABILITYShips worldwide
RETURNSCan you return items?
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RUN INFORMATION
SHIPPING INFO
Max Edition Size: 40
SIZE14 x 16
TYPEGiclee on 330gsm 100% Archival Cotton Paper
EST SHIPPING4-6 weeks
AVAILABILITYShips worldwide
RETURNSCan you return items?
We'll update you throughout your purchased art's journey from 1xRun to when it leaves our hands and ventures to you.
ABOUT THIS ART
I have always felt bad for the monster in monster movies like this, especially when it gets shot at or killed in the end. It just never seemed fair to me. Nobody really ever considers the monster's point of view. Of course if you're going to startle and shoot at him, he's probably going to kill part of your crew in self defense. That's what happens when you get all up in a wild animal's business. And just because he decides to kidnap a beautiful woman and drag her down to the bottom of a lagoon and into a secret cave doesn't mean that he's going to rape and kill her. So I don't know what everybody always freaks out about. For all we know he was probably just going to take her out for a fancy lobster dinner and then spend the rest of the night talking about feelings. Then of course it's always interrupted by some a-hole who cock blocks him by shooting him in the chest 50 times and steals the woman back. pssssh! Whatever. Poor Gillman :(
ABOUT THE ARTIST

David “The Chung!!” Chung’s relatable body of work revolves around the recognition and acceptance of ourselves and our complex human emotions. Occasionally placed in unfortunate and/or awkward scenarios, The Chung!!’s colorful and expressive menagerie of characters are a study of his own personal day to day life. Packed with humor and heart, his work helps remind us to stop taking life so seriously and take a moment to step back and laugh at what is essentially ourselves.

Although born in Albany, New York, David spent the majority of his early childhood in Hong Kong and Taiwan. The remainder of his youth was spent in Upstate New York where he graduated from high school. After attending the University at Buffalo for 2 years, he eventually transferred and graduated from the College for Creative Studies (Detroit, MI) as an illustration major in 2006. Currently residing in Los Angeles with his wife and dog, David’s work has been featured in galleries around the world. During the day, when he isn’t painting or working on designer toys, David works in the animation industry as a designer. He has worked on shows such as “Futurama”, “Robot and Monster”, "Clarence", "Regular Show" and “Sanjay and Craig.”
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