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Hello World - Framed

Type:Framed Archival Pigment Print on 310gsm Fine Art Paper
Size:12 x 12 Inches
Release:July 31, 2007
Run of:50
Auth:This RUN come signed, numbered and with a Certificate of Authenticity from Hikari Shimoda and 1xRUN.
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ABOUT THIS ART:

This RUN includes a 1 inch black wood frame with UV-glass, foam core backing and ready to hang hardware.

Hikari Shimoda first studied illustration at the prestigious Kyoto Saga University of Art and Aoyama Juku School before beginning her career as a contemporary artist in 2008. Soon afterward, Shimoda was selected for her first solo exhibition at Motto Gallery in Tokyo, and since then has held exhibitions annually in galleries worldwide, spanning Japan, the United States, Canada, and Milano, Italy.

"Hello World is a collage painting that is depicting the last hero in the world, left alone in a world of chaos. In this sense, this image is like his greeting, "hello", to the new world, which was ruined by mankind. It's continuing my theme of expressing concern for the future, mixed with cute elements like the stickers." - Hikari Shimoda
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ABOUT Hikari Shimoda:
Hikari Shimoda first studied illustration at the prestigious Kyoto Saga University of Art and Aoyama Juku School before beginning her career as a contemporary artist in 2008. Soon afterward, Shimoda was selected for her first solo exhibition at Motto Gallery in Tokyo, and since then has held exhibitions annually in galleries worldwide, spanning Japan, the United States, Canada, and Milano, Italy.

Shimoda’s artwork paints a world where cuteness and horror coexist, and fantasy meets reality. She credits the Japanese pop culture she grew up with as the main source of inspiration of her Lowbrow “Irasuto” style, which means artwork made by people inspired by anime and manga. There are often children putting on heroic costumes such as Superman and “shojo” or magical girls, an anime sub-genre of young girls who use magic.

Through depicting children especially, Shimoda reveals the problems people in today’s society struggle with from within. Children possess a simple existence because their identity is ambiguous which provides her with an original point of view. In her “Whereabouts of God” portrait series of other-worldly horned children, she also comments on Christianity’s anointment of Jesus Christ as savior of humanity and mirror of our fantasy heroes. These characters not only represent heroism but an adult desire to watch our children grow and defend the world we have constructed. With each new piece, Shimoda advances her search for salvation and her deeper understanding of this chaotic world.

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