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In HDL We Trust

Type:3-Color Screen Print on 290gsm Coventry Rag Vellum
Size:18 x 11 Inches
Release:February 03, 2020
Run of:50
Auth:This RUN comes signed, numbered and with a Certificate of Authenticity from Hygienic Dress League and 1xRUN.
Framed
White
Framed
Black
Framed
Natural
No
Frame
The framing option for this RUN includes a 1 inch black wood, white wood or natural wood frame with UV-glass, foam core backing and ready to hang hardware.
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$75
18 available
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ABOUT THIS ART:
"This project was completed in 2014 in Detroit, along the Dequindre Cut as the first part of a two part installation, featuring two large images facing each other. This work references religious imagery and features the iconic Female Executive from Steve and Dorota Coy's conceptual art project Hygienic Dress League, a legally registered corporation. The executive is the top tier of 3 levels of employees, mimicking social systems. The figure is holding the pigeon, the corporations logo. The project was featured in various media outlets and books, including Conde Naste Traveler and Boston Globe." - Hygienic Dress League

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ABOUT Hygienic Dress League:
Dorota (b. 1978, Poland) and Steve Coy (b. 1978, USA) are a husband and wife conceptual and visual artist duo based in Detroit. Their current project, Hygienic Dress League (HDL, HDL, Corp.), is a conceptual art project that uses a legally registered corporation as a new and original form of art. Their large-scale public interventions and immersive environments use a variety of mediums including the “found object” and often leverage technology in ways that produce unique experiences. Their work is often epistemological in nature and explores aspects of the human condition and contemporary society while challenging reality, truth, and belief systems. Projects are often speculative in nature and are influenced by various aspects of other art movements, notably conceptual art, relational aesthetics, surrealism, and street art. The symbolic imagery creates a paradox of image and concept resulting in an aesthetic that has been described as “Dystopian Glamour.”

The couple’s public installations have been exhibited on numerous occasions in Detroit, MI, and they have appeared internationally in cities including London, England; Berlin, Germany; Montreal, Canada; and Madrid, Spain, among others. In 2017 their work was the subject of a solo exhibition at the Museo de Arte Contemporaneo in Bogota, Colombia. They have also recently completed residencies in France for Project DeDale, Portugal for Art Loures Publica, and in Buenos Aires for the cheLA Foundation. Their work has been featured in notable outlets including The New York Times, The New Yorker, Rolling Stone Magazine, The Economist, NYLON, CityLab, HuffPost, and Politiken.
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