J Demsky

"My first experience with the Lsd was if I remember correctly about 95-96. It was a small dose, probably a quarter of a "Lucas Duck" that were quite soft, the second was the same dose with a “Bicycle" and the experience was also smooth.

Until one day the "Simpson double drop" appeared and it was different. We took half to be sure of the trip and we did not notice anything after almost an hour (at that time people also sold them fake) so we decided to take the other half, imagine what happened.

We lost control and my friend ran away, I supposed to go his house and I did the same. But I remember it took me a while to open all three doors since the key was bent as if it were a magic trick.

The first thing I did was turn on the TV and there was the movie "The Shining", I was only able to see some scenes but I remember the second time I watch it I thought they had deleted some scenes, you can imagine...Until dawn it was very intense. I think this was the last use I did LSD in a very long time.

Now I can say that I have never dedicated myself to selling drugs, but I was very good at faking things and spent a while making "replicas" of sheets of some that were very soft (like “Marilyn Monroe’s" or "Strawberries”) I even used my own designs of things that he painted at that time.

In these strange days I feel with a smile remembering those experiences and adding a double drop to these new sheets. :)" - J Demsky

From the day he fell into the graffiti world in the early 90’s. Dems has not ceased in destroying and rebuilding the alphabet from every angle. Crossing the entire world, jumping between hemispheres and continents, seeking for a new dimensions.

His style sounds like a Jupiter 8, the legendary fluor era synthesizer. Visually recognizable at first sight, his work captures the whole essence of Arcades and Sci-Fi saturated films, inspired by blue laser and red neon. With a single stroke, he can incarnate the water resist calculator-watch Casio precision or the Japanium force, resulting in a direct although subtle blow to the good-taste conventional laws.

His elegant compositions devour space and make you travel to a totally unknown, but such familiar world that we could enter it, before watching the space and time fold, creating a timeless loop, right there, between the D and the S.