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Oblivion - 26x23.5 Inch Edition
Run #01882a
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TYPE:Archival Pigment Print on 290gsm Moab Rag Fine Art Paper
SIZE:26 x 23.5 Inches
This RUN comes signed and numbered with a Certificate of Authenticity from James Bullough and 1xRUN.
Edition Size 100
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About The Work
About The Artist

Due to sizing, this RUN does not come with a framing option.



ABOUT THE ARTIST:
James Bullough is an American born artist living and working in Berlin, Germany. His paintings, and huge monumentally scaled site-specific murals, are phenomenal combinations of realist painting technique and graphic punctuation. Inspired by gritty urban graffiti as a young artist growing up in Washington, DC, Bullough harnessed its energy in his work, and perfected a realistic oil painting technique from his study of the Old Masters. Combining the momentum of the one and the technical precision of the other, his work is about staging compelling contrasts and juxtapositions. Working in everything from oil, spray paint and ink on canvas, Bullough’s paintings strike a balance between realistic figurations and stylized interruption. Disjointing the realistic elements with graphic areas and fractured or striated planes, Bullough intends to challenge the viewer’s perception.

Find more by James Bullough at jamesbullough.com.

Follow James on Instagram @james_bullough , & Facebook.
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James Bullough is an American born artist living and working in Berlin, Germany. His paintings, and huge monumentally scaled site-specific murals, are phenomenal combinations of realist painting technique and graphic punctuation. Inspired by gritty urban graffiti as a young artist growing up in Washington, DC, Bullough harnessed its energy in his work, and perfected a realistic oil painting technique from his study of the Old Masters. Combining the momentum of the one and the technical precision of the other, his work is about staging compelling contrasts and juxtapositions. Working in everything from oil, spray paint and ink on canvas, Bullough’s paintings strike a balance between realistic figurations and stylized interruption. Disjointing the realistic elements with graphic areas and fractured or striated planes, Bullough intends to challenge the viewer’s perception.
CONTINUE READING
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