The framing option for this RUN includes a 1 inch black wood frame with UV-glass, foam core backing and ready to hang hardware.
"I was on a trip to Milan for a show, and it was the first time I had been to back to Milan by myself since my wife Jessica and I had been there on our honeymoon. I get anxious and depressed when I travel alone, and being February, it was a cold and lonely trip. By accident one morning I ended up at a cafe where Jessica and I had breakfast together, and that realization just made me feel so much better. It felt like remembering her there made her actually be there. I spent the rest of the trip seeking out spots we had been together and it made the trip a lot easier for me. I drew this image the week I got back and it's been sitting in computer since." - Jim Houser
Jim Houser was born in 1973 in Philadelphia, Pennsylvania, the city where he currently resides. He is a self-taught artist and an honorary founding member of the Philly-based artist collective Space1026. Houser’s installations create a mapping system, cataloguing his thinking . His work explores the cadence of speech, science and science fiction, sickness and disease, plants and animals, time travel, ghosts , the art of children and the gravity of fatherhood , codes and code breaking, music and music making .
Through Houser’s signature style of visual poetry and personal iconography, the artist extends his practice of self-examination to include the topic of art making itself. Works serve to consider Houser’s relationship to the artwork he creates, the compulsion to create it and how his lifestyle has been formed, consequently. Houser’s collages become visual poems through which he cathartically communicates his most private thoughts and emotions with surprising candor. By cataloging his experiences and feelings through a unique pictorial language, the artist creates his own brand of curative iconography. Houser’s aesthetic often mixes stylized figures, hand-drawn typography and geometric shapes, creating quilt-like collages in a cohesive color palette.
Houser layers acrylic on wood, fabric and found objects, blurring the lines between collage and sculpture. Once combined, it becomes clear that all of his works are associative and directly related. This deceptively dimensional quality is further highlighted when the pieces are assembled into one of the artist’s elaborate installations, adding to the complexity of each individual piece by emphasizing a greater inter-connectivity to the body of work as a whole.Houser’s collages, paintings and installations have been exhibited in museums and galleries throughout the United States, Europe, Australia and Brazil. His work is included in the permanent collection of the Philadelphia Museum of Art and he Philadelphia Academy of Fine Art.