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John Lennon Portrait - Blue
Run #01720xc
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TYPE:4-Color Serigraph on Deckled 320gsm Coventry Rag Fine Art Paper
SIZE:34 x 44 Inches
This RUN is signed and numbered by Jon Van Hamersveld and comes with a Letter of Provenance from 1xRUN.
Edition Size 40
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This product is archived in our warehouse. It is not currently on sale, but could come back.
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About The Work
About The Artist

Due to sizing, this RUN does not come with a framing option.




ABOUT THE ARTIST:
Modern Multiples is a fine art printmaking studio specializing in serigraphs and digital giclees. We collaborate with a wide array of contemporary artists and designers to create unique and highly collectible works of art. Our master printers employ their highly skilled and technical knowledge towards educating and enabling artists to immerse themselves into the printmaking process. We offer artists an opportunity to work one-on-one with our master printers and digital experts to create unique, signed and numbered, archival, limited editions. At Modern Multiples, we are dedicated to the realization of the collective vision between the artist, publisher and printer. Each production is unique in its progression through the different levels of involvement and participation of the artist and publisher. We accommodate all levels of desired involvement by the artists – from color separations, stencil-making and color mixing to actual production and curation.

Find more from Modern Multiples at modernmultiples.com.

Follow Modern Multiples on Instagram @modernmultiples & Facebook.
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John Van Hamersveld is an icon in Southern California culture, or maybe more aptly described as­ a creator of icons, credited with many graphics and images that identify the West Coast. His poster for Bruce Brown’s classic surf film The Endless Summer is an image that nearly everyone has seen, an emblem for surf culture itself (the poster was included in LACMA’s Pacific Standard Time Exhibition California Design: 1935-1965). However, John’s work goes beyond the surf industry. He’s produced posters for the likes of Jimi Hendrix, Cream, and Jefferson Airplane, just to name a few. He’s worked in more corporate fields as well, adding the classic logo of the Fat Burger restaurant chain to the list. His recognizable hand has spanned an array of cultural niches. For some this reveals Van Hamersveld’s far-reaching influence, and for others this simply validates their understanding of John’s deep roots in the culture that makes up the California we know today. Upon a recent visit to Los Angeles, John and I discussed his new book 50 Years of Design, the evolution of his career, and the joy of drawing and making.

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