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ABOUT THIS ART:
NOTE: Toy comes in its original packaging.
Over
the years we’ve met quite a few collectors that share the same passion
for subculture and collecting. These passions culminate for the us by
collecting specifics artist's, iconography and imagery that shapes each
of our collections. On the rare occasion we’re asked to offer vintage
items on the site, and we have from time to time. Well last week
profoundly changed our lives and we’re excited to share that will you.
After spending a few days learning about the stories of 1 collector that
has been in the game for the past few decades we found signed prints
from many of the artists that built the foundation for collecting art
prints. With the likes of Bill Graham, Gary Grimshaw, Coop, Derek Hess
and beyond, stored safely in flat files, we sifted through and pulled a
few hundred prints. Now that we’re back home we’re doing our best to
process this collection, grade for quality, photograph and add to the
site.
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ABOUT Kozik:
Frank Kozik was born in Madrid, Spain in 1962 . At the age of 14 he moved to the United States and settled in Austin, Texas. Credited with single handedly reviving the “lost” art of the concert poster, his creative career rose largely out of his enthusiasm for Austin’s growing underground punk rock scene in the mid-eighties. Starting with black and white flyers for friends’ bands posted on telephone poles, his reputation grew as an artist whose work was graphically compelling as well as culturally gripping.
Kozik is based in San Francisco, California, where he produces artwork, toys and graphic design. He formerly managed his own record label, Man’s Ruin Records (1995-2001). Under which, he released over 220 singles and full length albums including the first Queens of the Stone Age single.
He has produced artwork for a diverse range of musicians such as Pearl Jam, the Butthole Surfers, Green Day, Neil Young, Sonic Youth, the Melvins and many more. In 1996, he directed Soundgarden’s “Pretty Noose” music video.
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