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Extreme Conditions 1 of 2

RUN #:01556b
Type:Enamel on Hardboard
Size:43.5 x 43.5 x 1.5 Inches
Release:July 15, 2016
Run of:1
Auth:This RUN comes signed by Kwest and includes an Original Artwork Letter of Provenance from Inner State Gallery.
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Inertia - Kwest
19 Artworks0 Available
ABOUT THIS ART:

This piece of original artwork comes ready to hang.

Drawing from within himself, Toronto’s Kwest delves deep into an entirely new cohesive body of work, which finds the mixed media artist challenging himself with new techniques and applications combining his two parallel worlds. Meticulously crafted over the past two decades, these sculptural works flow fluidly between evolving outdoor public installations and cleanly refined 3D gallery works.

“To create a sculptural assemblage in the studio and then take it into a public environment to paint answered my constant pursuit to challenge myself, and the work I produce. This work truly captures that action, the creative state I enter in both genres, and the unique stories evolved as each set is produced. Through the production of each series, two different pieces are produced, one on the surface of the work and one on the background it was painted on. This also simultaneously provides two arenas of viewing, one with an undetermined course of momentum in the public, and the other a purposeful display in gallery. The inertia in these actions displays both states of definition.” - Kwest


ABOUT THE ARTIST:
Kwest was born and raised in Toronto, Canada starting his art career as a graffiti artist in the early 1990s. For over twenty years he has been active in developing a unique and complex style of lettering that he can call his own, a fluid and tight mechanical typography that appears to be born of the very structures he chose to paint them on. His primary canvas has been freight trains and he has painted well over 5000 individual works of art, relinquishing any hold on them as soon as they are completed, destined to travel the vast web of rails that crisscross North America. It is thru his solitary practice of working rapidly in an outdoor environment that Kwest has fine-tuned his visual language and similarly gained recognition and respect by his peers.

The thirst for creating the next masterpiece and for the action of painting has pushed him to create sanctioned works on the streets as well. The shift to prioritize painting on walls has transformed his style into one of organic and abstract forms sometimes revealing letters and other times camouflaging them to the point of abstraction. He is known for painting the most complex and largest graffiti art in Canada thus setting him apart from all of the others working in the streets.

Kwest is a key pioneer in the fusion of graffiti and sculpture coming to this as a self-taught carpenter, designer and builder. His work is unrivaled as he applies various stone, wood, and metals to create his letters. His approach is innovative and stylistically unparalleled yet his admiration for the origins of graffiti are always evident. Blending his different crafts has allowed him to create a new style of sculpture that is rooted in graffiti as much as it is shaped by his knowledge of building and designing indoor spaces.

Today, his paintings and sculptures demonstrate his ability to create and shape intricate letter formations while breaking conventional rules. His work explores the relationship between animal and nature, letterforms and their disintegration, among other things. Kwest’s work uses a broad range of materials, both traditional and nontraditional. The materiality of the object, in both its elemental composition and modified appearance, and his connection to its origin, is at the heart of Kwest’s work.

Find more by Kwest at kwest.tv

Follow Kwest on Instagram @kwest8825
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ABOUT Kwest:
Kwest was born and raised in Toronto, Canada starting his art career as a graffiti artist in the early 1990s. For over twenty years he has been active in developing a unique and complex style of lettering that he can call his own, a fluid and tight mechanical typography that appears to be born of the very structures he chose to paint them on. His primary canvas has been freight trains and he has painted well over 5000 individual works of art, relinquishing any hold on them as soon as they are completed, destined to travel the vast web of rails that crisscross North America. It is thru his solitary practice of working rapidly in an outdoor environment that Kwest has fine-tuned his visual language and similarly gained recognition and respect by his peers.

The thirst for creating the next masterpiece and for the action of painting has pushed him to create sanctioned works on the streets as well. The shift to prioritize painting on walls has transformed his style into one of organic and abstract forms sometimes revealing letters and other times camouflaging them to the point of abstraction. He is known for painting the most complex and largest graffiti art in Canada thus setting him apart from all of the others working in the streets.

Kwest is a key pioneer in the fusion of graffiti and sculpture coming to this as a self-taught carpenter, designer and builder. His work is unrivaled as he applies various stone, wood, and metals to create his letters. His approach is innovative and stylistically unparalleled yet his admiration for the origins of graffiti are always evident. Blending his different crafts has allowed him to create a new style of sculpture that is rooted in graffiti as much as it is shaped by his knowledge of building and designing indoor spaces.

Today, his paintings and sculptures demonstrate his ability to create and shape intricate letter formations while breaking conventional rules. His work explores the relationship between animal and nature, letterforms and their disintegration, among other things. Kwest’s work uses a broad range of materials, both traditional and nontraditional. The materiality of the object, in both its elemental composition and modified appearance, and his connection to its origin, is at the heart of Kwest’s work.

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