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Fairy Wife

RUN #:01083y
Type:Oil on Cradled Wood Panel
Size:11 x 14 x 1 Inches
Release:March 20, 2015
Run of:1
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IN THIS COLLECTION:
Glass, Cinder & Thorns III
46 Artworks0 Available
ABOUT THIS ART:

This piece of original artwork comes ready to hang.


For the latest incarnation of Glass, Cinder & Thorns, curator April Armand has assembled her most ambitious group of local and internationally recognized artists to date, pulling some of the best and brightest in contemporary art in a myriad of mediums.

Featured artists of Glass, Cinders & Thorns III include: Amy Earles 1 + 2 - Audrey Pongracz - Bethany Shorb - Caitlin Hackett - Camille LaMontagne - Celeste Byers - Christina Mrozik - DeEtta Harris - Edith Lebeau - Erin Yoshi 1 + 2 - Heidi Taillefer - I Met Lucy 1 + 2 - Indie - Jana Brike - Kashink - Kelly McKernan - Kelly Vivanco 1 + 2 + 3 - Kelsey Beckett - Lacey Bryant 1 + 2 + 3 - Lady Diva 1 + 2 + 3 + 4 + 5 + Lady Orlando - Liza Corbett 1 + 2 - Mab Graves - Mary Williams - Mimi Yoon - Rudy Fig 1 + 2 + 3 - Sheri DeBow 1 + 2 + 3 - Sienna Freeman 1 + 2 + 3 - Stephanie Buer 1 + 2 - Tatiana Suarez - Taylor White - Vexta 1 + 2 - Wendy Ortiz and Yumiko Kayukawa -

This piece of original artwork comes signed by Lacey Bryant and includes an Original Artwork Letter of Provenance from Inner State Gallery.

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ABOUT Lacey Bryant:
Lacey lives in San Jose where she paints almost every day. When she isn’t painting, she likes to go hiking, knit, play with her cat, Hecubus and eat cupcakes. She also paints scenery for theatre and haunted houses.

Lacey Bryant’s paintings, like Lacey herself, have a massive presence within a small space. A keen observer of the patterns, connections and duality of all things, Bryant’s new series of paintings continue to depict the poetic beauty in the odd and disconcerting.

Her visual story telling can be described as a noir morality tale rather than a fairy tale. The ambiance is one of curiosity and trepidation…a foreboding dream in which the dreamer is lucid, consciously searching for the true meaning of their situation before they wake up. Her girls and boys are beautiful, not in the conventional tradition of perfect features, but rather because of their defiant gaze and confident stance that speaks of an age old wisdom in the soul, realizing too soon that childhood notions of a perfect world need to be set aside.

Roots, veins, thread are the language Bryant often uses as metaphors for little connections that reach out and twine around things, getting tangled up or sometimes grasping where there is nothing to hold to. Birds and insects are also prevalent in her work. Her young subjects are the natural caretakers of these small species that are only slightly more fragile than the youngsters themselves.

Creation and destruction, ego and soul, beauty and the unsightly all exist in natural harmony. The “other self’, (occasionally more than just two) occupy the same space on her canvases with only slight acknowledgment for each other. Therein lies the human condition we each grapple with. Within Lacey’s narrative, we see ourselves…our own duality of the beautiful and imperfect." -Anno Domini, 2012
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