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Seaweed - Limited Edition Prints

Run #01719a
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TYPE:8-Color Screen Print on Hand-Deckled 335gsm Coventry Rag Fine Art Paper
SIZE:18 x 24 Inches
This RUN is signed, numbered and comes with a Certificate of Authenticity from Moneyless and 1xRUN.
Edition Size 30
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About The Work
About The Artist

The framing option for this RUN includes a 1 inch black wood frame with UV-glass, foam core backing and ready to hang hardware.

"This image come out from one of the last wall I did for a festival in Cascais Portugal, (Muraliza). I was inspired by the nature and the seaside over there shich is what the title of the print is based.

The idea is related more to the style that I have undertaken with this single drawing. My idea was to break the circular shapes in order to create more complex abstract imagery. I introduced a remarkable chromatic component than previous works and the use of the stencil is something that I've never done before." - Moneyless

Printed in house at the 1xRUN Studio.


ABOUT THE ARTIST:
Born in Milan and raised in Tuscany, Moneyless' art is characterized by an investigation on the rawest elements of life and takes for granted a process of continuous evolution. He certainly owes his graphical mark to the street, where he was born as an artist and where he grounded his roots in the '90s graffiti/writing scene. “I wanted to undress the letters from the alphabetical presence” he says – then Teo started focusing on the pureness of the shape, the pregnancy of geometry in the fundamentals of life, gradually taking distance from walls and lettering - “My efforts then dropped the symbolic meaning of the letter.”

Find more from Moneyless at moneyless.it.

Follow Moneyless on Instagram @moneyless1980 & Facebook.
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Born in Milan - class 1980 - and raised in Tuscany, Moneyless' art is characterized by an investigation on the rawest elements of life and takes for granted a process of continuous evolution. He certainly owes his graphical mark to the street, where he was born as an artist and where he grounded his roots in the '90s graffiti/writing scene. “I wanted to undress the letters from the alphabetical presence” he says – then Teo started focusing on the pureness of the shape, the pregnancy of geometry in the fundamentals of life, gradually taking distance from walls and lettering - “My efforts then dropped the symbolic meaning of the letter”.

His artistic research, relieved by the weight of a fixed form, made his style move towards a pure geometry onthology. Moneyless' aesthetic seems to quote a Platonic vision where geometry is represented as the structure, the foundation upon which all nature is built. Fire, air, water and earth are the basic elements of existence and they come out from the multiplication of the main geometrical figure, the triangle: we'd better say division rather than multiplication, because it's through subtraction that Moneyless looks into evolution. Nature thus becomes functional to the work of art: Moneyless' essential forms are processed one after the other, and still entrenched within a structural complexity, they mean simplicity and neatness. In this picture, the artist still desires to achieve an intimate relationship with the spectator, and is asking him to challenge the environment, forcing him to face this duty and finding the spot that frames the artwork. Consider a forest. Wooden textures on the background now get a role in the picture, as sky and clouds and all the leaves and branches included in the picture. Again, these installations stand for the principle of creation.

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