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Run #01816

Bastard Glory

By: Pastel

$125.00
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Edition Size 40
1 Available At This Price
TYPE:8-Color Screen Print on 290gsm Coventry Rag Fine Art Paper
SIZE:11 x 11.5 Inches
RELEASE DATE:   Apr 04 2017
This RUN comes signed, numbered and with a Certificate of Authenticity from Pastel and 1xRUN.
IN THIS COLLECTION
The Crystal Ship Print Suite
10 Artworks
About this Art

The framing option for this RUN includes a 1 Inch black wood frame with UV-glass, foam core backing and ready to hang hardware.

The Crystal Ship is a contemporary art festival specialized in public space which sets sail to the city of Ostend with talented creatives. World-renowned artists created gigantic murals and fantastic art installations that form a permanent artistic trail in the city.

ABOUT THE ARTIST:
Far away of conventional architecture, Pastel understands work on the street as a urban acupuncture. Modern cities are full of “Non-places” because of irregular and not inclusive masterplanning. So paintings can be a kickstart for those places, working on the local identity and not being another tool of social gentrification. He tries to base his work on experiences. Considering the space where I get to create my work, it may be a city, a rural space, an open space or a closed space. First of all by trying to understand the conditions that the environment offers and not to impose an already established concept for the space. Working with symbolism like arrowheads and flora, the pieces begin a dialogue about the nature of man and his surroundings. The existential, real, pure and tragic, almost forgotten in modern society.

Find more by Pastel at pastelfd.com.

Follow Pastel on Instagram @pastelfd
Pastel
Argentina
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Far away of conventional architecture, Pastel understands work on the street as a urban acupuncture. Modern cities are full of “Non-places” because of irregular and not inclusive masterplanning. So paintings can be a kickstart for those places, working on the local identity and not being another tool of social gentrification. He tries to base his work on experiences. Considering the space where I get to create my work, it may be a city, a rural space, an open space or a closed space. First of all by trying to understand the conditions that the environment offers and not to impose an already established concept for the space. Working with symbolism like arrowheads and flora, the pieces begin a dialogue about the nature of man and his surroundings. The existential, real, pure and tragic, almost forgotten in modern society.
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