The framing option for this RUN includes a 1 inch black wood frame with UV-glass, foam core backing and ready to hang hardware.
"The title of the work Appeel was born as the union between the name appeal and the verb to peel and it summarizes in itself the bitter truth which conceives that, too often, what has an appeal on us is finally not worth it when it is peeled and deeply discovered or, on the contrary, it was worth it but we had arbitrarily portrayed it as not.
It represents a reflection on the fascination we have for things and people which lead us to perceive them differently from what they actually are. Metaphorically we paint people with the colour we want them to be but if the colour is not fitting, someday, somehow it will peel.
The red layer is crumbling while the illusion is vanishing taking with itself also any bad legacy still resistant from an older past, represented by the few remnants of green varnish.
The idea to explore and reproduce ruined materials came to my mind while walking through Venice industrial harbour where I am used to spending a lot of time. The most of the objects you can find there are deteriorated by time and climate and each surface tells a story." - Peeta
In my pictorial, sculptural and mural compositions, my geometrical shapes act as they interact with the surrounding environment. In particular, when painting on walls, my aim is always to create a dialogue with the structural and cultural parameters of the surrounding context, either architectural or not.
Initially, my works only realized the sculptural quality of individual letters, namely the ones that spelled out my own moniker, Peeta. Progressively, the fusion between traditional lettering and three dimensional style has given life to a unique kind of visual rhythm. Today, through my anamorphic works I redesign the volumes of any kind of surface involved, thus causing with my paintings a “temporary interruption of normality” by altering the perception of familiar contexts and so raising a different understanding of spaces and, consequently, of reality on a whole.
Metaphorically, I want to neutralize preconceptions and urge the emergence of new perspectives. Anamorphism totally embodies the intent, always pivotal in my production, to reveal the deceptiveness of human perception, the fallacy of narrow and fixed points of view through visual tricks which, proceeding from the attempt to confer a three-dimensional semblance on a pictorial representation, ultimately reveal their will to deceive.
Due to my turn towards anamorphic painting, I choose to transform also my traditional shapes in order to let them interplay with standard modules of architectonic structures, often changing them from irregular and smooth to geometrical solids.
Constantly running in parallel with my mural and painting activity, the role of sculpture comes to be essential for my overall production as it represents for me a direct contact with three-dimensionality in order to understand the rules of light and shadows and to reproduce them.
Peeta, also known as Manuel Di Rita, is a graffiti artist since 1993 currently living in Venice. He is a member of the EAD crew (Padova, Italy), FX and RWK crews (New York City) and has participated, over the years, in jams, festivals and art shows all over the world. His work explores the potential of sculptural lettering and anamorphism, both in painting and in sculpture.