MENU

Soundproof Eyeball - Bronze Edition

RUN #:02117a
Type:Bronze Sculpture
Size:19 x 18 Inches
Release:July 27, 2018
Run of:50
Auth:This RUN comes endorsed by the Griffin Estate and includes a Original Artwork Letter of Provenance from 1xRUN.
SOLD OUT
Favorite
IN THIS COLLECTION:
Man From Utopia
5 Artworks0 Available
ABOUT THIS ART:

Note: Shipping prices for this RUN are estimated. Final costs will be confirmed after purchase based upon location.

Presented in partnership with The Chambers Project and The Griffin Estate, 1xRUN is excited to offer these extremely rare editions in limited quantities.

This limited edition bronze was sculpted by Jud Bergeron and based on the original poster illustration from 1968 by Rick Griffin.

In 1968 Rick Griffin produced his epic poster masterpiece of symbolic iconography, ‘The Flying Eyeball’, in a burst of inspiration.  The image has arguably become the most recognizable and evocative image of the psychedelic 60s, being to Psychedelic Art what Warhol’s soup tin is to Pop Art – an instant identifier for the age of Acid Rock.

The Winged Eye symbol has its origins in antiquity, appearing in the art of the Egyptians and Assyrians. Rick particularly venerated the late 1950s’ version, that of famed lowbrow artist Von Dutch, whose interpretation resonated with the roots of hot-rod culture, so central to Rick’s Southern California upbringing. Von’s Flying Eye was stylistically informed by traditional American tattooing and car culture and he may also have been exposed to this image as nose art on WWII USAAF airplanes, an art form that influenced decorative automobile art in the post-war period.

Rick would also have been aware of the esoteric traditions and origins of the Eye In The Sky, aka The Sun Disc or God’s Eye, the all-seeing eye that burns through the clouds of Illusion. As a visual pun it also represents the self (the ‘I’), as well as the personal power that comes with spiritual awareness. With added wings, it evokes the effect that LSD had on the visual field, part of the expanded state of consciousness that many were experiencing at that time.

Read more about this special edition at News.1xRUN.com...

ABOUT THE ARTIST:
Rick Griffin was an American artist and one of the leading designers of psychedelic posters in the 1960s. As a contributor to the underground comix movement, his work appeared regularly in Zap Comix. Griffin was closely identified with the Grateful Dead, designing some of their best-known posters and album covers such as Aoxomoxoa. His work within the surfing subculture included both film posters and his comic strip, Murphy.

While attending Nathaniel Narbonne High School in the Harbor City area of Los Angeles, he produced numerous surfer drawings, which led to his surfing comic strip, "Murphy" for Surfer magazine in 1961, with Griffin's character featured on the front cover the following year. In 1964, he left Surfer and briefly attended Chouinard Art Institute (now CalArts), where he met his future wife, artist Ida Pfefferle.

That same year, he hung out with the group of artists and musicians known as the Jook Savages. He traveled with Ida on a Mexican surfing trip and later planned a move to San Francisco after seeing the psychedelic rock posters designed by Stanley Mouse and Alton Kelley. In late 1966, the couple arrived in San Francisco, where they first lived in their van before moving to Elsie Street in the Bernal Heights district.

In the mid-1960s, he participated in Ken Kesey's Acid Tests. His first art exhibition was for the Jook Savages, celebrating the one-year anniversary of the Psychedelic Shop on Haight Street. Organizers for the Human Be-In saw his work and asked him to design a poster for their January 1967 event. Chet Helms was also impressed by Griffin's work and asked him to design posters for the Family Dog dance concerts at the Avalon Ballroom, which led Griffin to create concert posters for the Charlatans. In 1967, Griffin, Kelley, Mouse, Victor Moscoso and Wes Wilson teamed as the founders of Berkeley Bonaparte, a company that created and marketed psychedelic posters. Griffin returned to Southern California in 1969, eventually settling in San Clemente.
MORE
ABOUT Rick Griffin:
Rick Griffin was an American artist and one of the leading designers of psychedelic posters in the 1960s. As a contributor to the underground comix movement, his work appeared regularly in Zap Comix. Griffin was closely identified with the Grateful Dead, designing some of their best-known posters and album covers such as Aoxomoxoa. His work within the surfing subculture included both film posters and his comic strip, Murphy.

While attending Nathaniel Narbonne High School in the Harbor City area of Los Angeles, he produced numerous surfer drawings, which led to his surfing comic strip, "Murphy" for Surfer magazine in 1961, with Griffin's character featured on the front cover the following year. In 1964, he left Surfer and briefly attended Chouinard Art Institute (now CalArts), where he met his future wife, artist Ida Pfefferle.

That same year, he hung out with the group of artists and musicians known as the Jook Savages. He traveled with Ida on a Mexican surfing trip and later planned a move to San Francisco after seeing the psychedelic rock posters designed by Stanley Mouse and Alton Kelley. In late 1966, the couple arrived in San Francisco, where they first lived in their van before moving to Elsie Street in the Bernal Heights district.

In the mid-1960s, he participated in Ken Kesey's Acid Tests. His first art exhibition was for the Jook Savages, celebrating the one-year anniversary of the Psychedelic Shop on Haight Street. Organizers for the Human Be-In saw his work and asked him to design a poster for their January 1967 event. Chet Helms was also impressed by Griffin's work and asked him to design posters for the Family Dog dance concerts at the Avalon Ballroom, which led Griffin to create concert posters for the Charlatans. In 1967, Griffin, Kelley, Mouse, Victor Moscoso and Wes Wilson teamed as the founders of Berkeley Bonaparte, a company that created and marketed psychedelic posters. Griffin returned to Southern California in 1969, eventually settling in San Clemente.

MORE
MORE FROM Rick Griffin
ARCHIVED
This run is not on sale. Check the product page for more info.
Favorite
Rick Griffin
Soundproof Eyeball - Bronze Edition - Patina Variant
SOLD OUT
Run of 1
Favorite
Rick Griffin
Moody Blues at the Fillmore West - 1968
SOLD OUT
Run of 50
Favorite
Rick Griffin
Surfing Eyeball - Standard Edition
SOLD OUT
Run of 35
Favorite
Rick Griffin
Soundproof Eyeball - Variant Edition
SOLD OUT
Run of 35
Favorite
Rick Griffin
Surfing Eyeball - Variant Edition
SOLD OUT
Favorite
Rick Griffin
Eyeball - 2-Print Set - Standard Edition
SEE MORE
ABOUT
Based in Detroit, Michigan, 1xRUN (one-time run) is the world's leading publisher of fine art editions and online destination for original art. With collectors more than 1,300 editions since 2010.
CONNECT
2905 Beaufait
Detroit, MI 48207

P / 313.744.6505
E / support@1xrun.com
SHOPPING CART
CLAIM
GOT IT