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Box Of Fun

Run #00265l
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TYPE:Mixed Media
SIZE:24 x 36 Inches
1
SOLD OUT
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About The Work
About The Artist
For additional information or questions on original art purchases please contact the gallery at 248-246-9544 or email info@1xRUN.com

On Saturday June 30th, 323East Gallery will host BASK's One Night Stand in Metro Detroit. This will also mark the debut of 1xRUN's very first hybrid exhibition opening where buyers can experience the art in person as well as from the comfort of their own home.

"BASK quickly began to notice similarities between the communistic iconic propaganda from his youth and the consumer advertising of his teens. He soon discovered that they were simply, two sides of the same coin. Each vying for our short-lived attention spans, all the while selling us (or telling us?) anything and everything from Marxism to McDonalds. Seeking conspiracies -and finding them embedded in the popular iconography of the mass media, Bask began painting bold, media critical broadsides to assuage his fear of being manipulated. A fear cultivated in a repressive regime, had now returned, but to the most unlikely and safest of places- The American living room.

The artist’s richly textural work imbue his “anti-iconic,” sometimes satirical worldview with an undercurrent of dark emotion. His canvases are the city’s flotsam and jetsam of industrial and consumer decay. Combining his graphic skill with his trademark multi-layered applications, Bask builds up the surface only to break down the image. “My art is a type of deconstruction,” says Bask, “I try to focus on the imperfection of things, rather then their unachievable perfection.” - via knownasbask.com

Note: The shipping prices provided are estimates, complete prices including insurance will be determined upon check out based on each buyers location.

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Bask is the moniker of one, Ales Bask Hostomsky, who along with his parents emigrated from Czechoslovakia to Florida and began to soak up America’s popular iconic imagery along with the sun.

Bask quickly began to notice similarities between the communistic iconic propaganda from his youth and the consumer advertising of his teens. He soon discovered that they were simply, two sides of the same coin. Each vying for our short-lived attention spans, all the while selling us (or telling us?) anything and everything from Marxism to McDonalds. Seeking conspiracies -and finding them embedded in the popular iconography of the mass media, Bask began painting bold, media critical broadsides to assuage his fear of being manipulated. A fear cultivated in a repressive regime, had now returned, but to the most unlikely and safest of places- The American living room.

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