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Only 4 left at this price!
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Shining Splashes

$150.00
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Framing: NONE
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Edition Size 50
4 Available At This Price
TYPE:Archival Pigment Print on 290gsm Moab Rag Natural Fine Art Paper
SIZE:14 x 21 Inches
RELEASE DATE:   Nov 29 2017
RUN # 01945
This RUN comes signed, numbered and with a Certificate of Authenticity from Daim and 1xRUN.
About The Work
About The Artist

The framing option for this RUN includes a 1 inch black wood frame with UV-glass, foam core backing and ready to hang hardware.

"For many years I have engaged with the “DAIMwave” series that shows the whole spectrum of my work. With time progressing the motif got more and more complex. In 1989, I began to write DAIM for the first time and even after all these years I still see the letters as a self-portrait. While working on the artworks and concentrating on a certain idea, technique an my style I also learned about myself and my personality. This in turn is reflected in my works. They get more and more complex as the development of the works corresponds with my development as a human being. Processes of ageing and maturing play a big role." - Daim


ABOUT THE ARTIST:  Daim concentrates on four letters to push personal and visual boundaries in his highly stylized three dimensional writing. Daim’s programme comprises the construction, as well as de-construction of a word (at some point, in between the processes of annealing and erasure, it emerges out of a synaesthetic sphere and reveals that it came into being out of nothingness and is always on the verge of disappearing into it again. Daim's graffitis can be seen as fixed images of a word-formation that is constantly threatening to reassemble, denying access, escaping the demands of tangibility and, thereby, remain free and sovereign.


Find more by Daim at daim.org.

Follow Daim on Instagram @mirkoreisser , Twitter @DAIMorg and Facebook.
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DAIM concentrates on four letters to push personal and visual boundaries in his highly stylized three dimensional writing. DAIM’s programme comprises the construction, as well as de-construction of a word (at some point, in between the processes of annealing and erasure, it emerges out of a synaesthetic sphere and reveals that it came into being out of nothingness and is always on the verge of disappearing into it again. DAIM's graffitis can be seen as fixed images of a word-formation that is constantly threatening to reassemble, denying access, escaping the demands of tangibility and, thereby, remain free and sovereign.

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