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Hendrix - Silver

Printers Proof 1
SOLD OUT
TYPE:3 Color Hand Pulled Serigraph on 320gsm Coventry Rag Paper
SIZE:28 x 28 Inches
RELEASE DATE:   Jan 30 2014
RUN # 00634M
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About The Work
About The Artist

This RUN contains 1 printers proof from the edition of 3 printer proofs and signed and numbered by Jon Van Hamersveld


Tony Clough has been working for nearly a decade as a fine art printer of limited edition serigraphs. He has worked with some of the biggest names in the contemporary art movement including Shepard Fairey, Revok, Retna, Ron English, Estevan Oriol, D*Face and many many more. Throughout his time working these legendary artists he accumulated a printer proof or two for his personal archives.

This RUN is a celebration two fold, as many of these prints have not been released since their inaugural launch along with the fact that Tony has recently opened his own print shop Serio Press. Just recently Tony has printed amazing editions for the likes of Revok, Saber and Zes along with Retna's most recent release "Eastern Realm". In addition we are excited to announce the first releases from the 1xRUN x Serio Press series which will kick off for Pow Wow 2014 with new RUNs from Kofie, Meggs & Roid.

This collection of prints is just a small selection of Tony's extensive collection, so keep an eye out as we will be updating this series constantly.

If you have any questions about the prints offered here, please email us at support@1xrun.com or call 313-744-6505.
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John Van Hamersveld is an icon in Southern California culture, or maybe more aptly described as­ a creator of icons, credited with many graphics and images that identify the West Coast. His poster for Bruce Brown’s classic surf film The Endless Summer is an image that nearly everyone has seen, an emblem for surf culture itself (the poster was included in LACMA’s Pacific Standard Time Exhibition California Design: 1935-1965). However, John’s work goes beyond the surf industry. He’s produced posters for the likes of Jimi Hendrix, Cream, and Jefferson Airplane, just to name a few. He’s worked in more corporate fields as well, adding the classic logo of the Fat Burger restaurant chain to the list. His recognizable hand has spanned an array of cultural niches. For some this reveals Van Hamersveld’s far-reaching influence, and for others this simply validates their understanding of John’s deep roots in the culture that makes up the California we know today. Upon a recent visit to Los Angeles, John and I discussed his new book 50 Years of Design, the evolution of his career, and the joy of drawing and making.

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