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Jefferson Airplane, Charlie Musselwhite

Stock 1
SOLD OUT
TYPE:Offset Lithograph
SIZE:19.5 x 27.5 Inches
RELEASE DATE:   Nov 01 2017
RUN # N0062W
This RUN comes with a Letter of Provenance from 1xRUN.
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About The Work
About The Artist
NOTE: This RUN does not come signed or numbered


Over the years we’ve met quite a few collectors that share the same passion for subculture and collecting. These passions culminate for the us by collecting specifics artist's, iconography and imagery that shapes each of our collections. On the rare occasion we’re asked to offer vintage items on the site, and we have from time to time. Well last week profoundly changed our lives and we’re excited to share that will you. After spending a few days learning about the stories of 1 collector that has been in the game for the past few decades we found signed prints from many of the artists that built the foundation for collecting art prints. With the likes of Bill Graham, Gary Grimshaw, Coop, Derek Hess and beyond, stored safely in flat files, we sifted through and pulled a few hundred prints. Now that we’re back home we’re doing our best to process this collection, grade for quality, photograph and add to the site.
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John Van Hamersveld is an icon in Southern California culture, or maybe more aptly described as­ a creator of icons, credited with many graphics and images that identify the West Coast. His poster for Bruce Brown’s classic surf film The Endless Summer is an image that nearly everyone has seen, an emblem for surf culture itself (the poster was included in LACMA’s Pacific Standard Time Exhibition California Design: 1935-1965). However, John’s work goes beyond the surf industry. He’s produced posters for the likes of Jimi Hendrix, Cream, and Jefferson Airplane, just to name a few. He’s worked in more corporate fields as well, adding the classic logo of the Fat Burger restaurant chain to the list. His recognizable hand has spanned an array of cultural niches. For some this reveals Van Hamersveld’s far-reaching influence, and for others this simply validates their understanding of John’s deep roots in the culture that makes up the California we know today. Upon a recent visit to Los Angeles, John and I discussed his new book 50 Years of Design, the evolution of his career, and the joy of drawing and making.

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