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Seen - Untitled

Run #01580
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TYPE:Archival Pigment Print on 300gsm Cotton Rag Fine Art Paper
SIZE:25 x 17 Inches
RELEASE DATE:   Aug 11 2016
This RUN comes signed and numbered with a Certificate of Authenticity from Seen and Buckshot Gallery.
Edition Size 73
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About The Work
About The Artist

The framing option for this RUN includes a 1 inch black wood frame with UV-glass, foam core backing and ready to hang hardware.




ABOUT THE ARTIST:
Known as the ‘Godfather of Graffiti’, SEEN began spray-painting trains on the New York Subway at the age of 11.

Throughout the Seventies and Eighties, SEEN built up a name for himself by painting New York Subway with bright lettering and cartoon characters, earning a reputation as one of the best known graffiti artists in the world.

But after spending 16 years spray-painting underground, SEEN, real name Richard Mirando, became disillusioned with the graffiti scene and set up his own tattoo parlour as a way to continue making art.

Now more likely to be seen exhibiting canvas work in a commercial gallery than painting illegally outside at night, Mirando still thinks the street art scene is not what it used to be.

“Today it’s just gone so far to the point where you don’t know what’s real or fake anymore. It’s missing the mysteriousness about it,” he says, adding that advancements in technology have also changed the graffiti scene as it is known today.

Find more by Seen at graffitiloser.com

Follow Seen on Instagram @instaseen.
CONTINUE READING
Known as the ‘Godfather of Graffiti’, SEEN began spray-painting trains on the New York Subway at the age of 11.

Throughout the Seventies and Eighties, SEEN built up a name for himself by painting New York Subway with bright lettering and cartoon characters, earning a reputation as one of the best known graffiti artists in the world.

But after spending 16 years spray-painting underground, SEEN, real name Richard Mirando, became disillusioned with the graffiti scene and set up his own tattoo parlour as a way to continue making art.

Now more likely to be seen exhibiting canvas work in a commercial gallery than painting illegally outside at night, Mirando still thinks the street art scene is not what it used to be.

“Today it’s just gone so far to the point where you don’t know what’s real or fake anymore. It’s missing the mysteriousness about it,” he says, adding that advancements in technology have also changed the graffiti scene as it is known today.
CONTINUE READING
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